Deborah Borsos’s Weblog
The Art of Philately Project- about art, community culture, mountains,stamps…and moreArchive for July, 2008
Along the mountain track
Finding Culture and Finishing Pictures
It has been very interesting the last few days, as I seek out various people and ask their opinions on “(Columbia) Basin Culture”.
Whilst strolling the aisles of my best source in the Koots for art supplies I stopped and chatted with the art department about this very subject. As the day wore on I spoke with a cross section of Basinites and got an interesting list of responses.
When I asked, “What do you think of when you hear the words “Basin Culture” , the responses included such things as: hard working, water, resource based, conservative, water, commercial, business like, independant, organized, oh yes – and water.
But when I then asked, “and what do you think of when you hear “Kootenay Culture” I received more specific comments and quite different from the first question. These included: hippies, hemp, herb, organic, wackos, enviro’s, birkenstocks, small business, gardening, grass roots, tree planters…and water. Was this meant for “the Kootenays in general? (both East and West)?. Nope, these answers appeared to pop up in terms of W.Koots only. The E.Koots is another whole set of ideas: mining, grasslands, dry, hard working folk, resources, Alberta influenced, resorts,….and water.
We do have lots of water that is used in every way possible by man and beast, and is the reason the Columbia Basin Trust was formed to begin with. But beyond that I was surprised in the different answers elicited by those questions. It has in fact, made my search for representational images (of Basin Culture) much more interesting.
As the images in the Art of Philately exhibit relate directly to the intersect between the land and the culture(s) of the area, I have given thought to what that represents to me, and have come up with a short list including (but of course, not yet complete) of the following: Festivals, Doukhabors, fishing, mining, logging, tree planting, hydro, First Nations, skiing, hiking, artists, migration,forestry, fire fighting, “off the grid” lifestyles, and…water.)
I realize of course, that creating an exhibit of work is usually about one person’s perspective. But it makes sense to me to always get a second, third or many more opinions and responses to the “Basin Culture” question in order to get a bigger perspective on it all. So to all those out there who care to respond, send in your ideas on what culture in this area means to you personally.
And if you have ever visited the southeast corner of B.C. (aka the Columbia Basin) - but dont necessarily live in the area, send along your impressions also- either of “the Kootenays” or the larger,more encompassing “ Basin” area. The more the merrier.
On a final note, Im happy to report that all the pastel paintings for my August show (opening on the 8th) in Nelson – “Carpets and Mirrors” are now complete and ready to go – hooray! – 3 weeks early, even. Thats gotta be a record. see below for the final one that I just finished 2 days ago. cheers, back to the studio.DB
My Blue Heaven
I wait all year for this.
As I drive (mule-like) , back and forth to my job each Tuesday and Wednesday (in another part of my life I am a “phlebotomist” in a local lab), I cant help but be excited as July nears, and the roadways become cloaked in blue (and pink and purple and white, of course, but mostly blue) chicory.
Its got to be the colour of heaven’s eyes. We were lucky (fingers still crossed since the season isnt over yet) this year and not very much of the roadway was mowed by highways. Long swaths of blue along the curving roads is certainly inspirational, and yet another reason never to leave this valley. Having observed this flower (some would rudely call it a weed, or even- heaven forbid, “invasive” Im sure) for a number of years now, I see its not just one shade of blue, but occasionally offers darker, and lighter blues and even now and then a white flower. It is in its full glory when the sun comes out, so you wont see it as much in the early morning or evening. Its an artists delight with its spiky leaves and odd angles and does seem to go on flowering for most of the summer.
Pastels of this particular shade of blue in my collection are usually used up far too quickly. I have discovered that Cheap Joes (in North Carolina I believe) is a store that carries a multitude of interesting materials for pastellists (and every other kind of artist), though Ive also tried Dakota pastels (also in the U.S.) and am pleased with them too. It’s hard to find good (relatively inexpensive) pastel suppliers. Anyone with suggestions about this, is always welcome to reply!
cheers for now. Back to the toad picture and planning the next excursion………DB
Starting the Sketches
Continuing on from the post “En plein air and other attractions..” this shows where I’ve gotten to with the preliminary sketches from my first plein air work a week or two back at Toad Rock.
As mentioned the bugs were wicked so I didnt stay long so this first one is very rough.
I finally got into my studio this past weekend, and did a second attempt, using only the first sketch as reference. (see below)
This is much like playing the “whisper game”, so that by the time you finish a piece of artwork it has changed in so many way(s) from the original that if you are not careful, it looks like somewhere completely different. This second toad rock begins to look way too much like a toad!. However it was very interesting to note that it also looked more colourful and more…hmmm- “Cooper-esque”?. For a good selection of John Coopers work in public view, stop by the Treehouse Restaurant in Kaslo some day and have a look. Youll see what I mean about colourful!. (And its a great place to eat, too).
So I think Ill have to go back to the scene of the crime (so to speak) in order to capture the rock as it really looks, when the mosquitos depart.
DB.
The First 350 km..
Well, the next time the weather office predicts “temperatures souring into the high 30’s”, I guess I will believe them-and not spend the day driving in a mobile oven all over hill and dale.
I did start a bit later than expected, but it was actually all worth it. I headed up the Trout Lake road (north) and first stop was the Gerrard Trout spawning channel where I couldnt find a piece of shade to work anywhere with a view of the river. But I did stand on the viewing platform, got some reference photos and a great idea for the finished painting. (stay tuned; when its done I will post it).
Water, being everywhere in the Columbia Basin, is a huge influence on our culture here. The hydro electric dams on the Columbia River system were the cause of the formation of the Columbia Basin Trust (many years after the fact.) (The CBT website tells more about this).
Transportation, recreation, fish habitat, power generation, spiritual “power points”, fruit orchards, agriculture - all these and more reflect on how we live here. So , there may be several images in the Art of Philately collection that relate to water as part of our culture. (The Gerrard Rainbow will certainly be one).
The drive north to Trout Lake city from Gerrard is spectacular, but it does follow a narrow winding dirt logging road; so dont try this in winter (!) unless you have a good four wheel drive vehicle and a healthy sense of adventure. But in summer; its beautiful. I putted along, not too fast, given the number of hairpin turns and blind corners, and was rewarded with one after another of many stunning views of the mountains across Trout lake. I was also quite often viewing clear cuts; either new or mostly grown in, which also reflect a large piece of Basin culture; forestry and the logging industry.
The town of Trout Lake contains an old hotelwhich is a recommended stop should you decide to check out the town or just head down to the lake for one of the (above mentioned) pasttimes dealing with water…
I finally turned south again, after stopping for a minute or two to chat with a lovely little black bear who was dining on grass at the side of the road. He finally got tired of being stared at by the dumb tourist (you’d think Id never seen a bear before…) and loped off. I continued on my (melting) way towards Nakusp. Still not finding many spots in the shade to stop and sketch I kept going down to New Denver, and there by the cenetaph was finally able to pull out my new Pan pastels. They are a delight to work with! The only annoying part was constantly unscrewing the little containers one from another, then putting them together again at the end.
But the pastel itself is very creamy and smooth and goes on very evenly. I recommend trying them; I still love Senneliers and Schminkes, but these new ones are certainly worthwhile.
And speaking of global warming…the glaciers around these parts sure arent what they used to be. If you plan on a visit to the Kootenays to climb one of the many glaciers, best think of doing it soon, while there is still glacier to climb up to…as magnificent as they are to see, they appear to be doing a vanishing act.
After New Denver, the shadows were becoming decent, and making the scenery more interesting to sketch. (High noon anywhere doesnt make for good light for en plein air work).
I headed back East towards Kaslo and finished my days sketches with a few preliminaries of the lovely Mt. Loki, which sits so nicely above the town.(see below). Having survived all that, I headed home as the day cooled down to a more reasonable temperature. Now if I could just spend every day doing things like this, (albeit in slightly cooler conditions) I think I could be quite content.!DB






